Welcome to our listing, thanks very much for looking! Were (and are) two of the main stems of jazz. Any way you look at it. Everything that's ever happened in this music leads directly.
Or indirectly -- back to them. Both men were born on the. 19th and 20th centuries, and each became established as a leader during. Paths had crossed from time to time over. The years, nobody in the entertainment industry had ever managed to get. Into a recording studio to make an album together. On April 3, 1961, producer. Achieved what should be regarded as one of his greatest. Accomplishments; he organized and supervised a seven-and. Session at RCA Victor's Studio One on East 24th Street in Manhattan. Louis Armstrong & His All-Stars. Session took place during the afternoon of the following day. Everybody ought to hear this album at least once, and many will want to.Hear it again and again all the way through, for this is one of the most. Intriguing confluences in all of recorded jazz. Blew his horn with authority and sang beautifully and robustly. Highlights include the bluesy I'm Just a.
Lucky So and So, a smoking. Hot, scat-laden rendition of "Cotton Tail, " and The Beautiful. Modern exercise composed on the spot by. That leaves one with the curious impression that. Just finished sitting in with. It's also a premonition of the. Session that would take place the following year. Permission, Roulette compensated by "lending". Count Basie & His Orchestra. For the big-band blowout album entitled. The Count Meets the Duke. Master takes were originally issued on two long. Recording Together for the First Time. Came out on Roulette in 1961 and. Both albums later resurfaced as a Roulette LP two-fer entitled. The Duke Ellington/Louis Armstrong Years.The material has appeared digitally many times over. Those who truly love and respect. Will want to obtain, absorb, study, and cherish this music. Formerly available as a two-LP set and also released on CD by Roulette.
These 17 selections are the entire results of. The only meeting in the.
Although it might have been preferable to. S performance as pianist with Satch's All-Stars is.
A rest from his usual repertoire and permitted him an. Work his magic on fresh material. Lots of surprises, some sensitive. Vocalizing and fine supporting work. This listing is for a very rare audiophile Gold CD title - a USED / OPENED, in NEAR MINT minus overall condition 24kt GOLD CD PRESSED and ISSUED by Mobile Fidelity Sound Lab (MFSL / MOFI) of a highly collectible title from their catalog - a superb title featuring. Louis Armstrong // Duke Ellington. Recorded Together For The First Time. Recording Together For The First. I'm Just A Lucky So And So.Do Nothin' Till You Hear From Me. Drop Me Off In Harlem. It Don't Mean A Thing. Don't Get Around Much Anymore.
I'm Beginning To See The Light. I Got It Bad And That Ain't Good. Credits / Performers / Other Information. UltradiscT 24 KT Gold CD from Mobile Fidelity Sound Lab "Original Master Recording" collection. Produced and distributed by MFSL, Inc. Under license from Roulette Records, Inc. Louis Armstrong, trumpet Duke Ellington, piano Barney Bigard, clarinet Trummy Young, trombone Mort Herbert, bass Danny Barcelona, drums. The Gold CD is from the ultra-rare. M obile Fidelity Sound Lab (MFSL / MOFI).Gold CD catalog # UDCD 514. Gold CD issued in 1988.
Original Recording - issued as early as 1961 on Jazz Vogue and then 1972-3 on Carnaby and Roulette Records. Gold CD made in JAPAN.
The jewel case is the original "flip up" variety. The Gold CD, JEWEL CASE and INSERTS are all in. Overall condition - the Gold CD has NO significant marks on the reflective side of the disc! When play tested on our audio system, it performed PERFECTLY! This Gold CD is an audiophile quality pressing any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc. Can attest to the difference a quality pressing can make to an audio system.Do not let this rarity slip by!